We are Bristle. Take a look around--we've got photos, audio, visual, and news on upcoming shows. Thanks for dropping in. Enjoy!
OK--true confessions: I was a TV addict from ages 8-18, during the Golden Age of 70's sitcoms, 60's reruns, and Monty Python. All these influences, and their accompanying onslaught of advertising, contriubted to my latest creation: the promo video for Bristle's new album, Future(s) Now(s)
(click on the bouncing "B" below):
Or perhaps it was Cory's amazing Whistle Tune: the jingling soundtrack to the video. Or the great series of photos that Myles Boisen took for the album that inspired me to create the animation (& what a fun shoot that was, I might add--Bristle + the very game John Finkbeiner (who recorded and mastered the CD at his very own New,Improved Recording) in lab coat):
Or was it the expert video footage by Charles Smith, that tireless chronicler of the Northern California creative music scene, the footage that I give the late-night-greatest-hits-commercial effects treatment to throughout?
Take a look and be the judge!
P.S. Don't the forget the upcoming CD release shows at Maybeck and Cafe Luna's. Information on the Live page.
The future has arrived! The new Bristle recording Future(s) Now(s) is available at Queen Bee Records. You can preview tracks, get digital downloads, or buy CDs (which include some snazzy corporate swag), your choice. Yeah baby!
Please check out our Live and Press pages for information on the CD and our release parties coming up 12/6 at the beautiful Maybeck Studio in Berkeley and 12/8 at our home away from home, Luna's Cafe in Sacramento.
On Wednesday, September 24, Bristle will be playing at the Center for New Music in San Francisco with the international string trio Hear in Now, featuring Chicago-based cellist Tomeka Reid, New York violinist Mazz Swift, and bassist Silvia Bolognesi from Italy. Cory and I are working on new pieces--they've been slow to coalesce, but are offering rich new vistas for improvising. For me, it's the tricky balance of wanting every new piece to be its own animal, completely different from what's gone before it, while at the same time wanting it to fit into the Bristleverse of sounds and approaches. We've been toying with mixing and mashing the written material with more improvisational transitions and interludes. It's always new, always different with this group of four musicians--Cory, Lisa and Murray are up for anything; it's a delight to write for them, I'm always trying to come up with new challenges for these amazing players. Methinks Hear in Now's improvisational approach will be a nice complement to what we're about. I'm looking forward to the gig--hope you can make it out!
For the next Bristle gig (Sunday 5/25 at Berkeley Arts), premiering a new piece--still finishing up the form, but drawing inspiration from the Mad Magazine Fold Ins. I loved those things when I was a kid--we had a stack of Mad mags around the house, the fold-in was on the inside back-cover. The image was often some elaborate picture, chock-full of detail, with a caption posing a question or description. When you folded in the sides to meet in the middle ("A meets B"), the picture was transformed into something entirely different, with the ends of the caption also joining to form the answer.
My piece is inspired by ragtime compositions, but been working on and off trying to figure out how to vary the form so it's not just a straight read through of some jaunty syncopated licks. The Fold Ins kept coming to mind, take a straight presentation of some material but then truncate it, pick the best parts, twist it around a bit, try to rejoin it in some novel way, see what you get. Could work it in reverse--the listener hears these not-quite-flush arpeggiated, rhythmic bits, that eventually make some kind of sense when the original context for them is presented. We'll see what happens--I hope to make Al Jaffee proud...
Coming on the heels of the April recording session for our next release, Bristle's playing at Sacramento's In the Flow Festival this Sunday, May 13. Murray and I played last night at ITF with festival co-founder Ross Hammond, as Pluck, Vim, Vigour, a short but inspired set. It was a great turn-out, a real community event--the ITF folks did a great job of programming the locals w/the out-of-towners. People come out for their faves, and get to hear other great music they hadn't expected. The camraderie and the kudos are very heartening--as Phillip Greenlief said last night, it's a really noble thing to do, putting on a festival like this in this day and age...
Sunday is jam-packed with great bands: we're scheduled to play at 7:00 at Antiquite, just after Vinny Golia's Sextet and before Scott Amendola Vs. Will Blades, so many others throughout the day. As they say, show up early, stay late. Bristle's continuing to roll out the newest of our pieces in concert, still somewhat teetering on the edge of playability, but as Alvy Singer said, "A [band], I think, is like a shark. You know? It has to constantly move forward or it dies...." Heading to KDVS later in the week for Live in Studio A (Thursday, May 17, at 11 PM PST). Show up, tune in, these are our last shows for a couple of months before we disperse for the summer with other projects.
Looking forward to our next couple of shows, this Thurs 4/19 at El Valenciano in SF, and Sac's In the Flow festival in May. Got a couple of nice write-ups today: Craig @ Memory Select takes an informed listen to the new CD, and Ryan Offield @ In the Flow V made me blush (just a little...). Thank you, gents!